Erica Rosenfeld will be at Tyler starting this Wednesday, February 27. She is the fourth artist in The Laurie Wagman Visiting Artist Series in Glass at Tyler School of Art and she will be here for a full week. In addition to a public lecture (1.30pm in 121) and demo (Hot Shop), she will be talking with several of the undergrad classes and giving demos specific to the course. I love the range of Erica’s work – from jewelry to amazing glass tapestries to performance as a member of The Burnt Asphalt Family. Here’s her bio:
Erica Rosenfeld lives and works in Brooklyn, NY. She uses glass, beads, fabric, food and found objects to create her work. Aside from her sculpture, installations and performances, she has a line of jewelry and functional glass. Through all of these disciplines she seeks to make work that expresses time, conveys history, and serves as a means to preserve perceived memory. Her wearable art acts as models for her larger scale work; her sculpture becomes a memory of its smaller counterpart.
Erica is a founding member of The Burnt Asphalt Family, an artists’ collective whose mission is to create unique, performance-based “installations” that reinvent objects and redefine the relationships of audience and performer, observer and participant. “Each installation activates its space at the crossroads between art, craft, and design, through innovative techniques like hot-glass cooking demonstrations, shared meals and edible sculptures.”
Erica has taught at Urban Glass, The Corning Museum and Worchester Center for Crafts; she has been a visiting artist at University of the Arts, Pratt University and University of Louisville. Her work is included in the collection of the Museum of Arts and Design and The Museum of American Glass. Erica also has been featured in various publications including The New York Times, Glass Magazine, New York Magazine and American Craft. Her work is shown internationally in galleries, museums, and stores.
Like all of our visiting artist presentations, Erica’s lecture and demo are open to the public.
– Sharyn O’Mara